--Link-- Anyone for a PA road trip?
Read this.
Follow the logical links.
More on this later. If anyone lives near Harrisburg, get in touch...
Read this.
Follow the logical links.
More on this later. If anyone lives near Harrisburg, get in touch...
Kevin Nowlan presents another page of pencils and inks for the Spectre story he inked over Ditko.
The early-1980s monthly reprint of the classic Spider-Man comics gets up to THE AMAZING SPIDER-MAN #26 [1965] in this issue, with the cover and 20-page story "The Man In The Crime-Master's Mask" from that issue, Ditko doing plot and artwork. The first half of the issue is heavy on the Parker stuff, at home, work and school, as Peter is without his costume due to events from the previous issue, and eventually has to resort to an ill-fitting Spidey suit bought at a costume shop, which provides both some visually comedy and turns out to be fortuitous at the end of the issue, as he gets involved in a battle for control of the criminal underground between the Crime-Master and the Green Goblin.
A great balance of the the various innovative aspects of the second half of the original Spider-Man run, with Peter Parker's two worlds developing, some clever long-term plotting and some great character bits.
Also in this issue, the Green Goblin pin-up from THE AMAZING SPIDER-MAN ANNUAL #1 [1964]. That original flying broomstick of his isn't quite as spiffy as the glider he'd get by the time of the main story. The cover has the usual alterations for format, most noticeably flipping the Green Goblin from one side of the page to the other.

"A Strange Kiss" is a 4-page story that was published in Charlton's UNUSUAL TALES #10 [1958]. It hasn't been reprinted in over 30 years, when Charlton printed it in SPACE ADVENTURES #12 [1979].The next Ditko/Snyder co-publication will be titled THE COVER SERIES. Cover price $5, release imminent.
Now you know as much as I do...
Feel free to speculate on what the contents will be in the comments, I guess.
Mail order info and a list of the prior still-available books over here, as usual.
There's an upcoming reprint of a recent team-up between Spider-Man and Doctor Strange, and as they occasionally do Marvel is including the original story on that theme in the collected edition.



A nice issue, with the 8-page "The Treasure Of The Swamp" by Ditko appearing between two stories by Pat Boyette, who's contributions are usually the second best reason to pick up 1970s Charlton comics.
This story features a geologist sent in to assess the oil-drilling potential of a swamp to decide if it's worth it for his company to drain the area and bring in drilling equipment. His hired local guide "Witless Willy" takes him deep into the swamp, where they're forced to spend the night in a dilapidated shack. A night of spectral figures and an alligator attack reveal something about Willy and convince the geologist to submit a negative report on the oil potential of the area and appreciate the natural beauty of the swamp.
There's a topical joke to be made here, but I can't put my finger on it...
A very attractive story, with some great renderings of the flora and fauna of the swamp, some nice moody lighting effects and some nice bits of action in the middle, especially the amusing scene of both man and alligator being thrown back by an unseen force.

This issue includes the 5-page story "The Haunted Paper" by Ditko. A clever thief manages to always have an alibi for the cops, but when the taxman is after him has to skip town. He changes his appearance and uses his unearned wealth to buy a small-town newspaper. There he finds that "mistakes" made by his elderly typesetter are in fact accurate predictions of the future, a power he's determined to understand and exploit.
A cute little morality play so common in stories of that era. Some really nice artwork by Ditko in this one, with the usual eye-catching splash page and some nice action bits with the criminal on the run from the law on page two. The highlight of the story for me is page four, with the various renderings of the old typesetter being a great example of Ditko's style at the time, with a lot of character and emotion in the face and some really fine inking, especially in that last panel.

Some comments from me on the recent ART OF DITKO book from IDW. Short form, fairly good selection of material from the vast sea of Ditko work for Charlton, though a bit heavy on readily available stories for those already into Ditko, marred by some unfortunate editorial lapses (in addition to the most obvious one) and just average production. Worth buying at the price, but the material deserves better.
This issue starts the second half of Ditko's ten issue run on the Jack Kirby created Machine Man series, with Tom DeFalco taking over the writing. The 17-page story "Kill Me or Cure Me" includes the Thing and Human Torch from the Fantastic Four, as well as a brief cameo from the rest of the FF. Ditko's version of the Thing always seems a bit off, but I do like his Torch.
Anyway, MM is working for an insurance company and gets sent to an industrial accident at a lab exploring alternative energy. He uses his powers to help in the rescue, including a nice sequence where he takes off his leg to use it to jack up some debris, and then encounters a scientist who has been turned into a gaseous form and seems to have gone insane from the loss of her humanity. While MM is damaged and getting some repairs from "Gears" Garvin, an inventive mechanic he fortunately crashes in front of the battle is taken to the Baxter Building, and when MM catches up we get the usual Marvel misunderstanding and fight between heroes when they first meet.
Enjoyable little issue. Ditko comes up with a lot of really good visuals for Machine Man's powers and designs a cool little one-shot villain for the story.
Ditko does full art on the story and also does the cover for this issue.
