"The Worm Turns" is the cover-featured story for Charlton's THE THING #15 [1954], one of Ditko's best early covers, and a great little story about a giant mutant worm unleashed on the world by the misguided work of scientist Norman Thoma (whose name appears to have been changed at some point, since every time it appears there's some weird lettering or odd spacing around the name).Lots of great things to point out in this one. The splash panel is a nice variation on the cover. Bottom of page one is an imaginative look at prehistoric life. Page two has an early look at the classic Ditko bird which would figure into some later work (most notably THE SAFEST PLACE). Then it all just gets more and more creepy as the worm growns and eats bigger things, and that ending is just absolutely crazy. Amazing stuff. After I finish posting all the 1953-1955 stories I'm going to try to have some sort of poll on what the best story is, and I think this one has a good shot.
Most scans in this series adapted to my personal tastes from those found, and available for free download with registration, at the Golden Age Comics Download site. To buy Ditko comics and things on paper, first head over here for ordering info on his available creator owned material co-published with Robin Snyder and take a look over here for info on recent and upcoming books with Ditko from all publishers, even lousy ones. And be sure to check out the fanzine DITKOMANIA.









"The Night People" is a 4-page horror story from Charlton's THIS MAGAZINE IS HAUNTED #17 [May 1954], one of three Ditko stories (plus a cover) in that issue. In this quick story, weaselly looking thief Gary Conrad manages to hide in a department store after closing time, and plans to make off with some valuables, only to find out that the store manikan's have some nightly rituals of their own.











"The Payoff" is one of two Ditko stories from Charlton's STRANGE SUSPENSE STORIES #20 [August 1954], a neat little 7-page Cold War spy drama as we follow beautiful Magda Tonescu in her vain attempt to acquire ill-gotten riches by the smuggling of a vial of deadly poison on a train through Europe. Lots of knives and gunplay along the way, and with a lot of faces intentionally in the shadows, we get a lot of great closeups of gloved hands which evoke, intentionally or not, some of Will Eisner's work on THE SPIRIT, in particular the Octopus stories. A nice change of pace from the horror/fantasy of most of the 1954 Ditko work.


The story this time around is the 8-page "Rumpelstiltskin" from Charlton's THE THING #14 [June 1954], the first of four Ditko stories in that issue. As you'd guess from the title, this is another twisted take on an old fairy tale, just like 















So you've probably guessed that this is the fourth, "Bridegroom, Come Back" the 6-page story from THIS MAGAZINE IS HAUNTED #18 [1954]. It's also easily the best of the four. For one thing, the writing is definitely a notch or two above Charlton standard for the time, as you'll see there's a very clever story-telling gimmick with the narrator. And Ditko's art is at the top of his early form for most of the story, with some great faces, very good detail on the clothing (especially important to this story) and some very tight inking (look at those faces on the first page). This is definitely a highlight of Ditko's early work, and a must read.





