The art is much more interesting, if equally strange. This is one of those Charlton stories where the host (Doctor Graves in this case) does more than just narrate the story, but less than actively participate in it, with odd little panels floating between the panels of the main story, showing Graves observing what's going on. I'm not exactly sure what visual effect Ditko was going for, sometimes it seems to be a floating smoke effect, other times a jigsaw puzzle, or a lavalamp. The odd panel shapes get even odder later in the story, with heart-shaped panels when the characters kiss. Whatever the intended effect is, it's an interesting way to liven up a fairly bland story.
Ditko also draws the cover to this issue, also for this story, which has a pretty cool visual of a skull in a crystal ball.
I love the design work that Ditko produced around this time period. Very inventive and experimental, although it does not get discussed half as much as the work of others who played with the form, such as Neal Adams.
ReplyDeleteNick Caputo